Untitled

(via Pastacas)

Ramo Teder is a 46-year-old dreamer and multi-instrumentalist from Viljandi, a small town in southern Estonia. He currently lives in Teijo, Finland, in the middle of a large national park filled with lakes, forests, and historical villages. Consequently, the presence of nature is felt so clearly in every song of his musical project Pastacas. This pastoral vibe, however, doesn’t reach the listener’s ears untouched: traditional music and nursery rhymes are decomposed and represented in a new and unexpected form.

The music of Pastacas feels like a complex and mystic journey into a place both familiar and unknown. The title of his last album, ‘Pohlad’, is Estonian for lingonberries. Each song is a short and immersive experience into old and fascinating Baltic tales. Guitars and mandolins are matched with old folk Estonian instruments such as the hiiu kannel, a particular four-stringed bowed lyre. Electronic beats and the repetition, inversion, and decomposition of both his instruments and his voice, though, push his music towards a surprising direction.

Teder himself defines his work as “Lo-fi Folk-(nohik-)punk-electronica”, where nohik means “nerd” in Estonian. It’s a playful definition because this sort of futuristic approach to pastoral and folk music is not easy to label. What’s sure is that experimental music is rarely as emotional and homely as it is here. The same emotion relives in the skinny and heartfelt characters he draws for the artworks of his albums, and in the contemplative live shows, where he recreates his music by playing and looping all of the instruments he uses on the records, bringing the audience to the cold yet inviting forests he calls home.

Pastacas:

Facebook

Bandcamp

Untitled

(via Midnight Peacocks)

I don’t often hear violins in stoner metal, so Midnight Peacocks quickly grabbed my attention from “Tzar Bomba” and kept it throughout their entire new LP, ‘Katastroffa,’ which is out now.

From Bandcamp bio:

“The Midnight Peacocks are:
Eitan Radoshinski: Vocals & bass
Guy Shemi: Guitar & Backing Vocals
Yoav Zohar: Drums
Yoni Silver: Violin, Alto Saxophone, Bass Clarinet, Keyboards & Piano
Hezi Shohet: Poetry”

Midnight Peacocks:

Facebook

Untitled

(via No Party For Cao Dong)

As we wait hopefully for new music by post-rock greats No Party For Cao Dong, there’s plenty of great tracks to get acquainted with. Also head over to Beehype for a look at the video for “Shanhai” (山海), one of the more creative music videos I’ve seen in a while.

From Bandcamp bio:

“Beats bouncing between Disco and Grunge, [we’re] often recognized as a indie/post-rock band with rough and sharp tone fusing with softness and gentleness.

Whispering in despair and screaming in hopeless is the vocal, leading melodies and rhythms to unexpected arrangements.

Aside from music, their exotic, passive but romantic lyrics engraves emotions deeply into your hearts.”

No Party For Cao Dong:

Bandcamp

Website

Facebook

Untitled

(via Cienfue)

Cienfue is a Panama artist who makes the perfect beach music for college-me who used to go somewhere warm for spring break.

From Bandcamp:

“‘Mounstro’ comes from collaborations between Rasta Lloyd, a prolific urban reggae producer in Panama, Makako and Cienfue. Cienfue’s fourth full-length studio album is a smoke-filled tour of eighties influences and tropical neon leisure rays.”

Cienfue:

Website

Bandcamp

Facebook

Twitter

Untitled

(via Baharat)

Baharat is one of the many exciting bands on Batov Records, a London based independent label with sounds from all over the world. I’m drawn to this Tel Aviv three-piece because the music sounds psychedelic but tight, a kaleidoscope sound that doesn’t get in the way of itself. If you like Tame Impala or any music that would fit well in an Urban Outfitters, you’ll especially like this group.

From Batov:

“In middle eastern cuisine it’s well known – ‘don’t forget to add some Baharat to the dish! It always brings the magic!’ We are very pleased and excited to add a special new spice to the Batov Records kitchen…a band of 3 of Tel-Aviv’s finest hipsters, mixing the flavours of middle-eastern sounds with the vintage vibes of surf music. This tasty EP was recorded at home with minimal equipment, superb musicianship, lots of humility, a tape machine and no drugs. It is still a hallucination of timeless tunes.. and if you don’t think we’re objective about it, you are definitely right.”

Baharat:

Bandcamp

Facebook

Batov Records:

SoundCloud

Bandcamp

Facebook

Twitter

Website

Untitled

(via lightcraft)

Jakarta’s beautifully moody lightcraft has released a new EP ‘Another Life’ ahead of its upcoming third LP. As someone who’s more familiar with Indonesia’s hardcore scene, finding a dreamy indie band that reminds me of the ‘Your Name’ soundtrack caught me off guard in the best way possible.

From the Bandcamp bio:

“a band that thrive under sadness and melancholia, inspiring them to craft their trademark anthemic melancholic sound, crafting atmospheric songs out of sadness and joy.”

lightcraft:

Website

Bandcamp

Facebook

Twitter

YouTube

Untitled

(via yourboyfriendsucks!)

Guangzhou’s yourboyfriendsucks! is a necessary reminder that China is full of dynamic indie music. The Southern China four-piece’s latest release, Episode 1 EP (Qiii Snacks Records), gives off strong Sleater-Kinney vibes, from the bittersweet trilingual vocals (Chinese, German, and English) to the spare guitars that are mostly reverb-hazy but also can be urgent and in-your-face when they need to be.

The highlight for me is the spacey cover of The Jesus & Mary Chain’s “Just Like Honey,” which would be a perfect addition to the Lost In Translation soundtrack.

From the group’s Bandcamp bio: “The music they made are some retarded pop songs added too much reverb, along with silly lyrics in Chinese / English / German and don’t-know-what-to-play-here-so-I-played-some guitar noise…Let’s get old, together.”

yourboyfriendsucks!:

Bandcamp

SoundCloud

Facebook

Untitled

(via Liz Phair – “Canary”)

Year: 1993

Album: Exile In Guyville

If the story is true that Exile In Guyville is a track-by-track response toExile on Main St., then is “Canary” Phair’s “Sweet Black Angel“? Is Phair singing from the perspective of Jagger’s chained slave who, in a sense, acts as a canary trained to only speak a few words and come when called? If so, Phair has taken out the Stone’s political message (no judges murder here) and focuses on the imaginary chains of learning and earning one’s name for love or something more romantic. Is it forced or voluntary? That’s left to the listener to decide. But if there’s no Stones comparison to make, you can just hear “Canary” as a beautiful piano ballad sung in Phair’s genuine melodic do-not-fuck-with-me utterance that indie musicians have been trying to replicate for over 20 years. She’s still one of the best to ever sing it.

Untitled

(via Foxygen – “Coulda Been My Love”)

Enough time has passed – can we all now re-listen to …And Star Power and agree it’s a great record? When it came out two years ago, critics ripped apart Foxygen for making a bloated double LP that shamelessly wore its sleaziness on its furry, leather sleeve. They were right, but that’s not the point.

The highs here are high man, with genuine soul jams like “How Can You Really” and slower ballads like “Coulda Been My Love,” which belongs in the soundtrack for my imaginary Richard Linklater sequel to Dazed and Confused in which the gang goes to the prom and slow dances to Foxygen.

The 1975, an equally sleazy band also attempting interstellar soul-rock, is having a moment right now, so I can’t think of a better time to listen to …And Star Power than right now.