(via Noura Mint Seymali)
I’ve only recently discovered the incredible music of Noura Mint Seymali, whom Vice Noiseyrightfully called the Mauritanian psych blues artist you need to know about. All of Seymali’s albums are great, especially last year’s fast-paced Arbina, which features some of the best riffs you’ll ever hear on any instrument from any musician in the world.
“Arbina is Noura Mint Seymali’s second international release. Delving deeper into the wellspring of Moorish roots, as is after all the tried and true way of the griot, the album strengthens her core sound, applying a cohesive aesthetic approach to the reinterpretation of Moorish tradition in contemporary context.
…Supported by guitarist, husband and fellow griot, Jeiche Ould Chighaly, Seymali’s tempestuous voice is answered with electrified counterpoint, his quarter-tone rich guitar phraseology flashing out lightning bolt ideas. Heir to the same music culture as Noura, Jeiche intimates the tidinit’s (Moorish lute) leading role under the wedding khaima with the gusto of a rock guitar hero. Bassist Ousmane Touré, who has innovated a singular style of Moorish low-end groove over the course of many years, can be heard on this album with greater force and vigor than ever before. Drummer/producer Matthew Tinari drives the ensemble forward with the agility and precision need to make the beats cut.
Many of the songs on Arbina call out to the divine, asking for grace and protection. “Arbina” is a name for God. The album carries a message about reaching beyond oneself to an infinite spiritual source, while learning to take the finite human actions to necessary to affect reality on earth. The concept of sëbeu, or that which a human can do to take positive action on their destiny, is animated throughout. While final outcomes rest in the hands of the creator, the duty to use one’s capacities as a human to work towards our hopes and highest intentions roots us in life and relationship to God. The title track ‘Arbina’ applies this concept to specifically empower women in their decisions about preventative healthcare. It advocates for the concrete task of early screening to prevent breast and uterine cancer, sickness that claimed Noura’s own mother at a premature age, while offering an appeal to the ultimate benevolence of God. “Ghizlane” invokes the concept through metaphor, describing the elusive nature of our dreams and the innate obligation to follow. “Richa” reflects of the power of music as a vehicle.”
Noura Mint Seymali: