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(via Yazz Ahmed)
Bahrain-born, UK-based multi-instrumentalist Yazz Ahmed, like Kamasi Washington in the United States, is reintroducing a new generation to modern jazz. Ahmed has worked with These New Puritans and Radiohead (she plays flugelhorn throughout ‘The King of Limbs’), and in her solo music, she combines her British and Arabic roots through jazz and electronic experimentation. Even if you’re not familiar or terribly interested in jazz, Ahmed’s music deserves your attention, and she’ll most likely make you second guess your thoughts on jazz.
From Ahmed’s Bandcamp bio:
“[Yazz Ahmed’s] new album ‘La Saboteuse’ [out May 12, 2017] is a deep exploration of both her British and Bahraini roots. Ably assisted by musicians including Lewis Wright on vibraphone, MOBO-winning new jazz kingpin Shabaka Hutchings on bass clarinet and Naadia Sherriff on Fender Rhodes keyboard, it’s composed of undulating rhythms, Middle Eastern melody and Yazz’s sonorous trumpet lines. The record sounds like the passage of a desert caravan, bathed in moonlight. The theme of ‘La Saboteuse’ is the sense of self-doubt that Yazz feels when she is creating, personified in a female saboteur, an anti-muse that spurs her into action.
‘La Saboteuse’ will be released in four chapters incrementally, unraveling the story, before the full version is available. Each chapter has its own cover, with beautiful illustrations by Bristol artist Sophie Bass.”
Yazz Ahmed:
