Cats! Sunsets! The Ocean! Great moody electro-pop! Can’t go wrong with Taiwan duo Astro Bunny. The act is vocalist Lena Cha (formerly Cherry Boom) and producer Nu.
Cha via Taipei Times: “We named the group ‘bunny’ because I love bunnies and I forced him to like them too. I picked the word “astro” because I’m an anime and computer game geek.” Later in the interview, Cha talks about how the music is a juxtaposition of Chinese literary writing and electronic melodies – an interesting combination. “Because of the neutral nature of the synthesizer used to create electronica sounds, this seemingly lifeless music doesn’t feed you with predetermined themes. Rather, it allows you to interpret and imagine meanings according to your mood at the time.”
Be right back, gonna get my groove on and break-dance in a cool Reebok commercial that’s playing Les Mentettes‘ killer synth-pop. I can’t actually break-dance, but the Argentinian group makes me feel just hip enough that I can do anything.
“Les Mentettes makes dreamy indie pop studded with off-beat instruments, catchy yet haunting hooks and a style that both nods to and transcends their influences. Led by singers Adrián Rivoira and Eugenia Brusa, the Argentinian band has deep roots. The two started out playing together as kids, performing at school concerts in the early 90s. Coming from very different musical backgrounds, the Rivoira and Brusa as well as their bandmates have a myriad of influences that range from Ziggy Stardust to Nina Simone and Brian Wilson.
In 2008, they formed [and] released their first full-length album, Let’s Mentettes. The following year, music conductor Manuloop arranged their songs for orchestra. They recorded [Orchestra] with over thirty musicians, bringing a variety of instruments to the group’s sound, including, trombone, oboe and glockenspiel. In 2011, the band, now a hybrid of rock band and orchestra, released their third album, Song for an Imaginary Film. Their latest EP release, Bouh!, is a return to their sparkling indie-pop roots. Whether playing with an orchestra or not, [they] exudes warmth and a beguiling playfulness.”
There’s a lot to like in Hungarian punk rock band Bankrupt, from the driving beat of the drums and guitar to the English dub-like keys and horns. You can hear a lot of the Ramones, the Descendents, NOFX, and the Misfits in these melodies and lyrics. Long live hooks!
“Inspired by the best moments of punk rock history, [this] Budapest based three-piece delivers a unique blend of old school and new school melodic punk rock, tinged with some punkabilly, rock and roll punk, and garage rock. Regardless of what hype is going on right now on what was earlier called the punk rock scene, [they] stick to the music they like, and continue writing songs that sound the way punk rock was meant to be. This is the sound of Riot City and it sweeps you away with the speed of a rocket.”
What starts out as slow, Sketches Of Spain-like jazz turns into a twisting dance of Arabic melodies and grooves. That is the power of Ecoute‘s music, aided by a whole string and horn section and Inbal Jamshid’s beautifully sung poetry.
According to Korean Indie, “Wake Up” is a preview of Aseul‘s new, somewhat different, sound and that you should check out her first record for a proper introduction. I agree, but there’s also a lot to like in the new song; the song is free of any tight constraints and the melody comes and goes as it pleases over glitchy beats. Very excited for the new record.
Raft is (sort of) a j-pop band with a purpose: to establish and promote “Liberal Music,” where music can be made across great distances and overcome any cultural barriers. With members from Japan and Thailand, these self-proclaimed ambassadors of worldly music make sweet and catchy Asian pop.
“We are developing a free music concept named ‘LIBERAL MUSIC’ where the music is not limited by boarder, language and style. A music that attracts anyone, anywhere with combination of rock, pop and all other sorts of music.”
Dawame, Luna Abu Nassar’s second album, sounds like a dream on the banks of a Tel Aviv river, with echoes of different voices and instruments coming in and out as sounds of nature set a calming scene. Her extra touches add a somewhat sinister, deep blue feel that’s very compelling. She could easily be one of the musical artists at the end of the new Twin Peaks episodes.
Okamotonoriaki is a Japanese electronic musician and videographer who releases music on Malaysian indie label mü-nest. The original mix of “Our Happy Ending” sounds like the quiet sunrise you find on a long road trip that shares a similar wonder for lonesome peace as Yo La Tengo and Broken Social Scene. This EP includes remixes from recent mü-nest signees Dae Kim, Burnie, and Shuzhen.
“Lonesome can appear to be a tough task to go through in our life. It, sometimes leads us to existence without purpose, find a love one or even death in drastic cases. What comes as a closure from it, can be sometimes harsh or nurture us to be who we are today. And this is what we learnt from okamotonoriaki’s third album, “Happy Ending”.
Our Happy Ending EP consists of three new affiliates of mü-nest, Dae Kim, Burnie and Shuzhen, bringing re-worked versions of the song, expressing different perspective to their happy endings.
Korea-born producer/composer, Dae Kim, captures similar serendipity with the original track. The song is quite susceptible to sappy tendencies and rather pop infused at times. The rhythms are the decorations rather than the element that carries the songs’ momentum, when rather the melodies’ and musical notes create flows and rhythm for the listeners to hold on to. Reminiscing poem subtly lies within the layers of synthesizers.
On the other hand, Burnie, who released his debut album, “Lotus City” last January through 4daz-le Records, offers rather different perspective to the mix. The song introduces itself with a sampled vocals and the poem surrounded by lush synthscapes, collaged narratively. The part that makes this remix comparatively special is when the tastefully constructed beat with well mashed amount of swing emerges into the song. Furthermore, grim yet sentimental distorted ambient guitar shifts its emotion to rather sanguine with xylophones complementing the blend, which shows the Macao producer/DJ’s own closure of the song.
Meanwhile, Shuzhen offers more minimalistic approaches to her epilogue. Classically trained pianist, who arises from Johor Bahru of Malaysia has paved her path to be a composer by collaborating with local artists for variety of different projects. The Johor Bahru composer invigorates her arrangement with subtle soundscapes and the poem. Dramatic tendencies form itself through uplifting yet bittersweet phased chords of piano slowly fading in. When the drums fades out to present contrasting synthscapes, which elaborate themselves to form complex yet sumptuous kaleidoscope of sound which reflects her distinctive feminine sensitivity.
What separates us from one to another is how we define a happy ending. For some, what defines a happy ending would be a success in life, whereas for some, it is simply to get a taste of their favorite meal. Perhaps, the happiest ending possible in our life is in us. To truly understand ourselves and what lies ahead of us.”
For over 14 years, The Killed a Motorized Police has been one of Argentina’s most beloved indie bands. If you care at all about indie rock, the band’s guitar-leaning DIY sound fits right at home with all other guitar bands in Brooklyn (this is a compliment, too!).According toTo Dance To The Radio , the band will release a new album soon, and you can hear the new single below.
Last year, Bandcamp Daily did a profile on the La Plata band – Evy Duskey’s description “think Dinosaur Jr. showing your sensitive side” is spot on.
Cienfue is a Panama artist who makes the perfect beach music for college-me who used to go somewhere warm for spring break.
“‘Mounstro’ comes from collaborations between Rasta Lloyd, a prolific urban reggae producer in Panama, Makako and Cienfue. Cienfue’s fourth full-length studio album is a smoke-filled tour of eighties influences and tropical neon leisure rays.”