(via GDJYB)

What starts out slow and dreamy turns into sharp and precise, as Hong Kong “math-folk” group GDJYB ease you into their world before punching you softly with great riffs and incredible vocals sung in “Honglish” (Hong Kong English). The bass playing throughout is especially excellent, and it’s refreshing to hear it mixed so that you can actually hear it. And the video is top notch – it appears to be shot using film and anything goes in this all-white space. The group has much love in their home, though it’s time they break through here in the states.

Check out more of their music via SoundCloud.


(via Nasty Wizard Recordings)

I think I found a new favorite label – Nasty Wizard Recordings is a Beijing-based label that specializes in a range of noisy and out-there underground music (self-described by the label as “mostly evil music”). Last year they put out a release featuring HN favorites Chinese Football, so you know they’ve got great taste.

The label’s latest release is a collection of songs from some of pan-Asia’s most beloved modern shoegaze bands.

From Bandcamp:

“This May the gnarliest tape label in China, Nasty Wizard Recordings, is back with their first epic release of the year, a pan-Asian compilation of Mainland China, Hong Kong, and Japan’s shoegaze scenes. We’re talking ground zero for the blistering, reverb-drenched genre that has taken the continent by storm over the past few years! Featuring tracks from Hangzhou, Hong Kong, Tokyo, and Xi’an the Asia Shoegaze Compilation Vol. 1 is a must have for anyone looking to get their head lost in the clouds.

With a love for making destructive noises with their guitars and array of electronic effects, Tokyo’s Oeil has been a constant presence in the Japanese shoegaze scene for over a decade, and while the band has been relatively quiet since their widely popular 2014 EP ‘Myrtle’ we were fortunate enough to have them share two of their latest tracks.

Next up it wouldn’t be a shoegaze comp without a bittersweet farewell. The Pillow Man, a trio out of Hangzhou, otherwise loftily known as ‘Paradise on Earth’ didn’t even make it to two years as a band. However that fleeting, affecting touch is captured brilliantly in the band’s few surviving tunes.

We then head down to the Pearl of the Orient aka. Hong Kong where Sea of Tranquility has been creating dreamy shoegaze pop since 2014. The five-piece, with an abundance of piercing guitar noise and pulsating reverb, continues to convey the starry romance of the genre to ravenous listeners.

Finally, we head to the old Qing Dynasty capital of China where Xi’an’s Endless White resides. The young quartet, fresh off their debut EP, relishes in jangly guitar work, wispy vocals, and sublime walls of sound that engulf the band and enrapture your ears — the perfect closer.

Links below to Hangzhou’s The Pillow Man, Tokyo’s Oeil, Hong Kong’s The Sea of Tranquility, and Xi’an’s Endless White”

Nasty Wizard Recordings:




(via Oh! Nullah)

Our good friends over at Sweaty & Cramped are physically re-releasing two Oh! Nullah tracks from its 2015 digital-only album ‘Jaded Summer.’ Fans of S&C’s Asian Emo compilation will also dig this Hong Kong band’s melodic guitars and driving drums.

From band member Ben Tse:

“’Jaded Summer’” is a song I wrote for a friend whose mother passed away, and ‘Last of My Mistakes’ is about accepting that no one is ever immune to failure or disappointment. ‘Restitution’ is the restoration of something lost to its original owner and a concept that these two songs attempt to grasp and convey.”

Oh! Nullah:




(via tfvsjs)

The music video for tfvsjs‘ “Battle from the bottom” is nuts. The latest single from the Hong Kong instrumental math-rock five-piece gets the cinematic treatment as two women talk, laugh, and cry in red and blue rooms. They fall in and out of love as math rock tears them apart. A mime shows up. Everyone plays cards. Everyone goes home alone.

Like most math rock I listen to (I don’t listen to a lot), I try not to get caught up trying to figure out the meaning of the music and just enjoy feeling smart and complex as glitchy guitar riffs bounce off militant drums. I do enjoy tfvsjs a lot for their Canton twist on math rock, and I hope they keep making music for a long time.

Zoi is out now on Bandcamp via White Noise Records.

Thanks Unite Asia for the first listen.