When I listen to Avital Raz, I hear the traditional folk storytelling of artists like Bob Dylan with a modern twist and some dark humor. The Israeli singer-songwriter, now based in Sheffield, tells poignant stories with simple acoustic playing and some nice orchestral touches. Read up on her fascinating career so far here.
“a vocal artist who travels across many genres. Her songs may resemble old English lute songs, Indian Classical Ragas, Cabaret, Blues or Eastern-European Jewish melodies. A multi-cultured get-together of many strange characters, all rolled up into one quirky singer-songwriter.”
The original goal of a genre like hardcore punk has always been to change things, fight injustices, and give a voice to those who are oppressed. However, it feels like with time, the hardcore scene has become a niche built for white males, with many live shows turning into a gym for violent people, a phenomenon that has inevitably pushed others away from the scene and from its great potential. It’s in this context that the importance of Anti-Corpos, who define themselves a feminist lesbian hardcore band, becomes evident. They epitomize the original spirit of hardcore.
Anti-Corpos are from São Paulo, Brazil, and they might be the angriest band you’ll ever hear. No triggered double-kicks, pompous guitar riffs, or carefully faked screams. Only real and necessary anger. Their urgency is evident in the strident vocals of singer Rebeca Domiciano: she needs to screamand to get things off her chest. It feels like her voice, while refusing to precisely follow her band mates fast-paced tempos, can actually make a difference.
Their latest full-length, released in 2015, is a great example of political hardcore. It’s titled ‘Forma Prática de Luta’ (‘Practical Way Of Fighting’) and contains eight short and intense tracks that talk about police brutality, patriarchal abuse, and finding ways to resist to any kind of oppression. The lyrics are in Portuguese, but they barely need to be translated, seeing how energetic and heartfelt everything sounds. In their live shows, this anger is even amplified while male chauvinist violence is not tolerated. It’s what hardcore should simply be like, now more than ever.