(via Makoto Kino)
I can’t look away – from the steadily flashing lights, the mysterious purple room that could be The Black Lodge, to the collage of random assortments of pedals and instruments and cherished (or discarded) anime trinkets. It’s all stunning. In the center is Mexican experimental artist Makoto Kinolayering melodies and repetitive drones and turning the room into a fortress of sound. It’s like she’s trying to bring the Loveless album cover to life at 2 a.m. while everyone is still asleep and dreaming. It’s almost otherworldly, and it’s quite beautiful.
I get the same feeling from listening to Sufyvn that I do listening to Tame Impala – a sort of otherworldliness that I can best describe as an ancient psychedelic sound. The Sudanese Beatsmith has been consistently releasing excellent music for the past couple of years, including his latest release, the Ascension EP, out now.
“The second installment of a four-part series. Compositions inspired by Nubian Sudanese percussion salvaged from old cassette tapes in Sufyvn’s hometown of Khartoum…Concept, arrangement, and cover artwork by Sufyvn.”Sufyvn:
(via Avital Raz)
When I listen to Avital Raz, I hear the traditional folk storytelling of artists like Bob Dylan with a modern twist and some dark humor. The Israeli singer-songwriter, now based in Sheffield, tells poignant stories with simple acoustic playing and some nice orchestral touches. Read up on her fascinating career so far here.
“a vocal artist who travels across many genres. Her songs may resemble old English lute songs, Indian Classical Ragas, Cabaret, Blues or Eastern-European Jewish melodies. A multi-cultured get-together of many strange characters, all rolled up into one quirky singer-songwriter.”
I’m all for the somber glitches and steady beats of thruoutin, an electronic musician with an eclectic discography all worth checking out. My personal favorite is his most recent release, April’s Contingent of Outlying Territory, followed by 2015’s Service.
“This release is about the exploration to new places, whether physical or within our minds. The tracks were written between January to October, 2016. At this time I was finding new ways to approach writing songs; from a technical aspect I was limiting myself to a single sound source for the material. After an idea had been established I would expand upon it with another sound source to build on the original foundation. In this same period, on a physical level, I had moved house twice as well as traveled to new cities in between. With each movement I felt better about my surroundings and more comfortable with these journeys to new places. The album’s sounds narrate an expedition into uncharted territory. Each song is a chapter that takes the listener along on this mission.”
(via Nasty Wizard Recordings)
I think I found a new favorite label – Nasty Wizard Recordings is a Beijing-based label that specializes in a range of noisy and out-there underground music (self-described by the label as “mostly evil music”). Last year they put out a release featuring HN favorites Chinese Football, so you know they’ve got great taste.
The label’s latest release is a collection of songs from some of pan-Asia’s most beloved modern shoegaze bands.
“This May the gnarliest tape label in China, Nasty Wizard Recordings, is back with their first epic release of the year, a pan-Asian compilation of Mainland China, Hong Kong, and Japan’s shoegaze scenes. We’re talking ground zero for the blistering, reverb-drenched genre that has taken the continent by storm over the past few years! Featuring tracks from Hangzhou, Hong Kong, Tokyo, and Xi’an the Asia Shoegaze Compilation Vol. 1 is a must have for anyone looking to get their head lost in the clouds.
With a love for making destructive noises with their guitars and array of electronic effects, Tokyo’s Oeil has been a constant presence in the Japanese shoegaze scene for over a decade, and while the band has been relatively quiet since their widely popular 2014 EP ‘Myrtle’ we were fortunate enough to have them share two of their latest tracks.
Next up it wouldn’t be a shoegaze comp without a bittersweet farewell. The Pillow Man, a trio out of Hangzhou, otherwise loftily known as ‘Paradise on Earth’ didn’t even make it to two years as a band. However that fleeting, affecting touch is captured brilliantly in the band’s few surviving tunes.
We then head down to the Pearl of the Orient aka. Hong Kong where Sea of Tranquility has been creating dreamy shoegaze pop since 2014. The five-piece, with an abundance of piercing guitar noise and pulsating reverb, continues to convey the starry romance of the genre to ravenous listeners.
Finally, we head to the old Qing Dynasty capital of China where Xi’an’s Endless White resides. The young quartet, fresh off their debut EP, relishes in jangly guitar work, wispy vocals, and sublime walls of sound that engulf the band and enrapture your ears — the perfect closer.
Links below to Hangzhou’s The Pillow Man, Tokyo’s Oeil, Hong Kong’s The Sea of Tranquility, and Xi’an’s Endless White”
Nasty Wizard Recordings: