Disappointed by the new Arcade Fire album? Don’t despair! Don’t give up on disco! Listen to this killer Shina Williams and His African Percussionists track, the pinnacle of late ’70s Nigerian afro-disco. The song is re-released via Strut, a UK reissues label specializing in soul, funk, world sounds, disco, post-punk, and industrial music.
“Strut present a brand new 12′ reissue of Shina Williams’ monster Nigerian disco anthem ‘Agboju Logun’, pairing the rare original album version (originally released on Phonodisk Nigeria) with the more sparse 12′ remix which surfaced later internationally on Earthworks. This is the third release on STRUT’S new Original Masters Series.”
For over 14 years, The Killed a Motorized Police has been one of Argentina’s most beloved indie bands. If you care at all about indie rock, the band’s guitar-leaning DIY sound fits right at home with all other guitar bands in Brooklyn (this is a compliment, too!).According toTo Dance To The Radio , the band will release a new album soon, and you can hear the new single below.
Last year, Bandcamp Daily did a profile on the La Plata band – Evy Duskey’s description “think Dinosaur Jr. showing your sensitive side” is spot on.
The latest release from Cairo’s Eslam Salem is a somber affair, with twitching beats and guitars supporting a mournful voice with quite a range. The results echo Radiohead’s ‘Hail To The Thief’ in that you can hear human pain behind manipulated sounds.
Our good friends over at Sweaty & Cramped are physically re-releasing two Oh! Nullah tracks from its 2015 digital-only album ‘Jaded Summer.’ Fans of S&C’s Asian Emo compilation will also dig this Hong Kong band’s melodic guitars and driving drums.
From band member Ben Tse:
“’Jaded Summer’” is a song I wrote for a friend whose mother passed away, and ‘Last of My Mistakes’ is about accepting that no one is ever immune to failure or disappointment. ‘Restitution’ is the restoration of something lost to its original owner and a concept that these two songs attempt to grasp and convey.”
According to Bandcamp Daily, Berlin duo Gurr has invented a new sound with its debut album ‘In My Head’: First Wave Gurrlcore. According to the band’s Facebook, that sound is “garagepop…sounds like a trashy 60s girl group meshed with poppy vocals in two voices and a flavor of eeriness dug out from the deep darkness that is the Berlin rocknroll bar’s restroom at 5 am.” It also sounds like a Pavement record that’s actually at peace with itself. And while we wait for the new Real Estate album, Gurr’s breezy guitar work will do the trick.